Looking for the ultimate bass practice amp that won’t break the bank? Look no further.
We scoured the planet in search of a practice amp that could deliver killer tone, plenty of punch, and is portable enough that you don’t need an army of roadies to move it. We found 5 contenders and then put them head-to-head to find the ultimate practice amp under $300.
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Get right to the meat…
How We Reviewed the Amps
CHOOSING THE CONTENDERS
1. $300 Maximum Price. Our objective was to find an affordable amp that would allow beginners to get a start in the bass world, without having to sell a kidney. $300 was the price limit for this group review.
2. Combo Amps Only. Then, we looked online and found all the bass combo amps. A combo amp is an amplifier and speaker cabinet integrated into a single unit. The alternative to a combo is an amp head and cabinet as two separate units. We opted for combo amps only as they are typically the more affordable, convenient, and practical option for beginners to get started with.
3. Known Brands. Next, we needed some criteria to cut our list down from over 60 amps to a number we could actually physically review. So, we cut out all the companies that don’t have a reputation in the bass world – brand names are usually the safest bet for beginner gear. (We’ll test some of the lesser known brands in the future)
4. Minimum 10″ Speaker. We decided to only look at amps that had a 10” speaker or bigger. A lot of cheap beginner bass amps have an 8” speaker or smaller and, in my opinion (and other pros I consulted) a single 8” speaker cannot reproduce bass well enough, at least not in this beginner price range.
5. A Dash of Gut Feel. Finally, we considered existing online reviews, brand reputation, and some intuition to cut the list down to our top five.
BIGGER IS BETTER?
Just to test my theory that small speakers can’t deliver a solid bass, I spent some time with a Roland MICRO CUBE BASS RX, one of the more expensive practice amps in this price range that has four 4” speakers.
While the tone is fine and there are some cool features, the volume is completely wimpy. A good bass amp will give you low frequencies that you can actually feel, and I have yet to hear an inexpensive amp with a small speaker that sounds like a real bass amp.
NO B.S. REVIEW PROCESS
Reviewing these amps was a pretty simple process of spending time playing through each amp and fiddling with knobs. I spent most of my review time playing my active Peavey Cirrus bass through all five amps, but I also tried a Squier Jazz bass from our bass reviews to see how a passive instrument would sound.
I listened to the amps in my small studio room where I filmed the reviews.
I also took them to a local rehearsal space where I could hear them in a larger room with a higher ceiling.
In both rooms I brought along my TC Electronic RH450 head with RS210 cabinet as a higher-end reference rig. I wasn’t expecting these cheaper amps to sound as good as the TC rig (with a value of around $1,400), but it helped me establish a tone and volume baseline to compare each amp to.
HOW WE RATED THE AMPS
Each amp was rated using these four criteria:
1. Tone. I listened for how good the amp sounded with all the EQ flat, and how versatile it was in terms of offering me tones that would work in different musical genres.
2. Volume. Here I judged the amp’s loudness, and particularly how much “body” or bottom end it put out. I also listened for amp hiss that might be unpleasant for a practice room.
3. Features. This rating was based on what features the amp had (how many EQ knobs, direct out or not, any other cool stuff), as well as overall ease of use.
4. Construction. I looked at weight, how easy it was to carry, and how sturdy all the components felt.
I roughly averaged these four ratings to give each amp an overall rating, keeping in mind that Tone and Volume are the most important criteria.
HOW WE RECORDED THE AMPS
It’s important when watching and listening to amp reviews online to know how the amps were recorded so you can better assess the sound you’re hearing; different microphones, mic distances, and post-processing with compression and EQ can totally change your perception of what an amp “sounds” like. Here’s the complete recording process used in these reviews:
Audio for Video Reviews: I plugged my bass directly into the amp and recorded the amp with a Shure SM57 microphone 6 inches away from the center of the speaker cone. The microphone ran straight into my Audient iD14 digital audio interface into Logic Pro.
Audio for the Sample Riffs: In the “Hear for Yourself” section (below), there are a ton of audio recordings for each amp so you can directly compare the tone of each amp, for yourself. The recording process worked like this…
First, I made sample audio recordings of bass riffs using my Peavey Cirrus bass (pickups balanced, onboard EQ flat) recording directly into the Audient (24-bit recording at 48Khz). Then I played the recorded sample riffs through each of the different amps while recording the sound with the SM57 six inches from the speaker cone (pictured below). I tweaked the amp volume and EQ to make them all sound as good as I could.
Note that everything was bounced from my recording software (Logic) with absolutely no EQ, compression, or processing on the software side (besides normalization). What you are hearing is exactly what came into the microphone from the amplifier. This isn’t standard recording procedure – normally you would use compression and EQ to improve the sound – but I chose to go this route to offer you maximum clarity in listening to the differences between the amps.
Let’s see how the amps stacked up…
REVIEWED AT $110
VERDICT: You definitely get what you pay for – this being almost half the price of all the other amps I reviewed, results in a lot less possible volume and low end, but still plenty for practice purposes.
The higher wattage B30 might be worth checking out if you like the sound of Acoustic amps and want something that could work for a mellow rehearsal or gig (no rock drummers or big distorted guitar). I would definitely use this as a practice amp, but that’s about it.
Acoustic B15 Full Review
This amp jumped out to me because it was the only amp at this low price that had the 10” speaker I was looking for, and Acoustic has a good reputation for their bass amps. Here’s how it stacked up.
The flat EQ tone sounded good and balanced. Pushing the bass knob up and mid/treble knobs down lends a mellow, vintage-y tone that will work fine for practice, but it’s lacking the big low frequency response that comes with more wattage. There’s plenty of top end available on the mid/treble knobs for aggressive rock tones, with or without the Shape engaged. I couldn’t find a sweet spot for a punchy funk tone; the mid knob didn’t find quite the right frequency.
This amp had a decent amount of volume, considering the size and the wattage. But even with the 10” speaker, this amp is still missing that special sensation of “enough low end.” Obviously, with only 15 watts, it has much less power than the other amps (at a $80-100 difference). I could only push the volume knob to about 4 with my active bass before I got serious distortion. I still found it enjoyable for low volume practice use though.
For a practice-only amp, I like the simple features and don’t mind the basic 3-band EQ. The overdrive and shape functions sound good to me, although I personally don’t use them for my particular playing style very often. There’s a headphone jack and an aux in for playing along with music, and everything’s on the front of the amp which makes it easy to access everything. If I had my druthers, I would ditch the overdrive and switch to a 4 band EQ with low mid/high mid options – we’re bass players, we don’t need amp distortion that badly!
The enclosure feels super solid. I don’t like the fabric speaker cover; metal grills are more durable, but for a practice amp it doesn’t really matter. The knobs feel solid. At 23lbs it’s not the lightest option for the amount of volume and wattage you get, but still comfortable to carry one-handed and not too bulky.
|Dimensions Website||13.8″W x 10.4″D x 18.1″H|
|EQ options||3 band (bass/mid/treble)|
|Other features||⅛” inch headphone in, ⅛” inch aux in|
Eden E-Series EC10
REVIEWED AT $200
VERDICT: I was really surprised to be so disappointed with this amp. I’ve loved all the higher-end Eden rigs I’ve tried over the years, this just didn’t have enough low end to qualify as a decent bass amp in my reckoning.
Eden E-Series EC10 Full Review
Eden has made some great amps over the years. Let’s see if this is one of them.
The default sound with flat EQ is very clear and crisp, lots of upper mid and treble, and pretty darn thin. I’m wishing there were two knobs for the mid-range to dial down the high mids without losing treble or low mids; there’s some harshness I wanted to get rid of. It was easy to dial in a nice funky punchiness by boosting the mid knob. No problem getting a nasty rock tone with the naturally crisp sound of the amp, I just rolled up the Enhance and some treble and I was ready to cut through a wall of distortion (if said distortion was playing very quietly). I found it challenging to get a bassy vintage sound without making the speaker clip.
The overall volume capacity of this amp was okay, but I was really bummed at the lack of bottom end. Even when I rolled the bass EQ knob up almost to the point of distorting the speaker, it still felt weak and thin when I compared it to the other amps.
I took this amp on an upright bass gig as an onstage monitor. The upright bass pickup I was using is naturally very boomy and lacking definition, so the super bright sound of this amp worked okay but, even then, I still rolled the treble down a bit.
I liked the Eden’s interface. Everything was easy to find, there were no unnecessary features, and I like the center detent on the EQ. I didn’t love the scoop range of the Enhance knob. Besides the usual headphone and media jacks, there’s a Tuner Out which is handy.
The Eden is solidly built and very compact but, at 24.2lbs, it feels really heavy for the size! I like the metal speaker grill, it looks and feels professional. The knobs are good quality.
|Dimensions Website||13”W x 12.5”D x 15.6”H|
|EQ options||3 band (bass/mid/treble)|
|Other features||Separate gain/volume knobs, 1/4” inch headphone in, ⅛” inch aux in, ¼” tuner out, effects send/return|
REVIEWED AT $180
VERDICT: I wanted to like this amp. Ampeg makes some great stuff, and I did like the natural tone of this amp with all the knobs flat. However, because it was lacking treble, I didn’t like the distortion, and the construction quality wasn’t as high as the other amps.
Ampeg BA-110 Full Review
One of the titans of bass amp history, Ampeg is well known for their big heavy amps from years past. I’m always happy to find an Ampeg 8×10” cabinet waiting for me on the backline of a gig. Does this BA-110 combo amp have that star quality?
I really liked the tone with the EQ flat. It sounded like the mids were “scooped” a little bit naturally, it felt balanced with fingerstyle, and sounded surprisingly good with slap. I could dial in a good amount of bottom on this amp without getting distortion. I think the -15dB pad may have helped there.
However, I found the treble capabilities of this amp really lacking. Even with the treble knob cranked all the way and mids boosted a bit I couldn’t get a really bright sound, so this amp would have limited use for aggressive rock styles. I also couldn’t quite get the punch needed for funk or jazz.
I was not impressed with the volume output. It wasn’t terrible, but I couldn’t get as much loudness or body as I could on the only slightly more expensive Fender Rumble 40 we’ll look at below.
I did not dig the Scrambler distortion, it sounded more like “my bass is broken” distortion than “I am rocking out” distortion. I loved the -15db pad switch for active instruments, it’s the only amp I looked at with that feature.
There’s an AUX level knob, which I didn’t understand the point of, since almost any modern device you’d use to send audio to the AUX in would have its own volume options. That real estate could have been used for a gain knob, a 4th band of EQ, or even just left blank for a simpler interface.
I experienced some initial rattling, which cleared up when I tightened a couple screws on the side of the cabinet that had come loose. There were no further issues.
This enclosure felt the least solid of all the amps; there’s a vent on the top around which I can hear some wood creaking if I put some weight on the amp with my palm.
The tiltback feature is cool but I found their manner of execution confusing, since it requires reorienting the amp in a way I’ve never seen before.
|Dimensions Website||16”W x 13”D x 18.8”H|
|EQ options||3 band (bass/mid/treble)|
|Other features||-15dB pad switch, ¼” aux input, aux level knob, ⅛” headphone in|
REVIEWED AT $250
VERDICT: Bummer. I didn’t like the sound, it weighed a ton without giving much more sound than the Fender, and the loud amp hiss would make it an annoying choice for a practice amp.
Hartke HD75 Full Review
I wanted to include an amp from Hartke in our lineup because some of my favorite bass players (including Stu Hamm and Victor Wooten) use Hartke. I’ve had a few bad experiences with older Hartke amps in the past, but I thought I’d get one of their new combos and see how it stacked up.
Since I decided to try the HD75 over the HD50 (which is the same price as the Fender and Eden combos), I was expecting the HD75 to put out more volume. Let’s see if we got it.
With all the EQ flat, my first impression of the tone was something along the lines of “bleh”.
It was hard for me to identify what I was noticing – maybe some muddiness in low mids? – but the sound just didn’t speak to me. With all the other amps, I was able to get at least a few decent tones, but this one left me totally stumped no matter how much I fiddled with knobs.
The HD75 definitely had the most volume capacity of any of the amps by a noticeable amount. That said, I didn’t feel like I got more bottom end, just more loudness.
I also had trouble finding a sweet spot with the gain level on my active bass, it seemed like the amp could really use a pad button like the Ampeg had. Even at low amp volume, if I had my bass volume maxed and played hard, I could hear amp distortion. The issue was improved by switching to a passive instrument, but it was still too easy to overdrive the speaker for my liking, especially since I expect more volume and bottom from a big speaker with more wattage.
This amp had by far the most hum and hiss just from being on, way more than my much more powerful 450W TC Electronic reference rig.
I have to admit, I’ve never liked Hartke’s 7-band graphic EQs. Even with all my years of experience, I still find them overwhelming, and I can only imagine a beginner trying to dial in a tone with that many options.
And, for the price, I would hope for a direct out, since this amp is big enough to use on a small to medium gig.
Something started buzzing inside the amp at higher volumes. I couldn’t figure out what it was without completely taking the amp apart, but I found it frustrating when trying to rock out at a higher volume in the big room.
Also – this thing weighs 52lbs. Not cool! For an amp designed to handle a “rehearsal space or small performance venue,” that is way, way heavy.
|Speaker size||12” driver with 1” tweeter|
|Dimensions Website||21.5”W x 17.5”D x 22.5”H|
|EQ options||3-band (bass/mid/treble) plus 7-band graphic EQ|
|Other features||¼” headphone in, ⅛” aux in, effects send/return|
Hear for Yourself
Hear the tone differences of each amp for yourself by comparing the audio samples below. Cheapo computer speakers or phone speakers will likely be too limited in range to hear the differences clearly. Use speakers or headphones with a decent range and volume. For more details on how I recorded these audios see the “How I Recorded the Amps” section in the intro, above.
Remember that when you’re listening to these, you’re hearing tonal differences, but they don’t accurately indicate the important differences in volume capacity and body that you would feel in the room with these amps.
Review Recap & The Winner
The biggest thing I learned from this review process is that a lot of beginner bass amps are crap. But it’s not all doom and gloom — our tests revealed an immensely good amp, one clear winner for the BassBuzz Best Beginner Practice Amp. In this video I give a quick recap of each amp and reveal the winner (as if you hadn’t guessed already)…
BASSBUZZ AWARDS BEST BEGINNER AMP
Overall Winner Fender Rumble 40
The Fender Rumble 40 was by far the best amp out of this bunch in terms of volume, functionality, weight, and overall value. No matter what kind of bass or style of music you want to play, this little combo will work perfectly in a practice context.
Looking for a bass guitar too? Check out our Beginner Bass Showdown. Pair the winner of the bass guitar showdown with the Fender Rumble amp and you’ll have a kickass combo.